posture positions-
closed guard
feet- toes touching ground
weight not too far on top of opponent
control collar w/one hand, put pressure, make sure they don't come up
other hand grabbing sleeve and pinning
weight going on top of arm and chest
stand w/same side arm control
both feet planted firmly
look up
hips go forward
hand on collar releases- two on one sleeve
elbow tight, arm really straight
legs wide open, good base- prevents sweeps as long as you have one arm
hand goes on knee
elbow tight, straight arm and push down
point toes out on side you open, helps straighten leg- push on knee
legs open, step back with good control of legs
variations
same setup
you have tough time opening legs
feeling off balance
change from knee to double pants control- right around thighs/waist
close elbows- transfer weight onto hips- squat and step back, force him to open
back needs to be straight as you walk back! forces legs to open
passing spider guard
arms tied up, sleeves controlled
keep elbows close, re-grab pants on top of legs (not bottom)- pistol grip- thumbs pointed up
rock a little, step back, his back comes off floor OR legs straighten out
start to push down on his legs, straighten your arms, release pressure of legs on biceps
put knees together
put weight on legs, twist body around to his side
pass guard
keep tight so they don't have space to replace guard
more spider guard
you have trouble planting feet down- they curl toes
change hands to underneath calves
you push up, back, and over, stack them up
put chest on hips so they don't roll over (like marcelo does)
push to either side
follow and hug
now you are controlling turtle
star guard pass
one foot on hip, one in bicep
they have sleeve control on foot on hip side
circle around and take foot off bicep, block shin
re-grab his collar on sleeve control arm
plant hand on ground (awkwardly with fingers pointed towards you), lift leg to clear hip, other leg steps close to leg they are pushing you with
cartwheel
land next to them, pass guard
you need speed to execute
you can go slow until you plant hand
when the hand plants, you need to jump and pass
jump just enough to go over legs, not too high
other star guard pass- butterfly pass
from butterfly guard
plant their back on ground
control biceps
one hand shoots under arm and grabs collar (will be underhook arm when you pass)
other hand grabs pants around waist, elbows tight
push leg in with elbow, tripod up, jump over
stretch leg when you jump- release hooks
lock up control- kesa gatame, pull up elbow
need coordination when you jump- as soon as you jump, change hip
need sensitivity to figure out hooks
stretch legs to release hooks (far leg like mule kick)
when you give space on jump, you need to adjust back when you land
pull them to you, make everything tight
more butterfly passes
one hand hugs leg over the shin- grab thigh
other hand shoots under hook - reaches FAR and grabs other hand if you can, or else just thigh
get real tight
close elbow, takes power away from hook
transfer weight to shoulder, shoulder plant and jump over (head on opposite side you're passing)
raise leg a little bit
jump over to side where you have hand underneath thigh
land with toes on ground- keep pressure
always follow him
another butterfly pass- they try to sweep you
they sit up and try to sweep you
they sit up, you need to pummel to get underhook and pin other leg to ground
throw leg out to block sweep- base out
in the middle of sweep, you mule kick and switch hips to inside- drive knee through middle (shift weight here, put a lot of weight on thigh)
knees are now crossed
control arm, grab shoulder on underhook side, plant back on ground
knee moves next to shoulder
they are all twisted up awkwardly
move to mount
you are always a step ahead!
they underhook, you pummel inside
they sweep, you switch hips
another butterfly pass
pin leg down
grab underhook
step over
you are tripodded up
head planted next to shoulder where you have leg pinned
if they grab your leg, you need to break grip
rise up and jump pass on other side
weight on your arm/his leg
need sensitivity to decide when to change hips
pass to side of hook
stay TIGHT, don't give space, maintain control once you pass
most important thing about passing like this- you create space to pass, but then you stay tight once you pass
more butterfly passes
wrap, grab opposite thigh, weave under butterfly and throw legs to one side
like scissor guard pass counter
chest on legs
head on chest
grab arm (change to collar if you want)
sprawl out, walk around, pass guard
mobile/tight crossface- open elbows to move face/control head!
once passed- hips are down, not up (less space)
need to control leg and arm to pass
variation of the same pass
same setup, but as you come around, they push head with free hand
plant head on ground, shoulder on ground to trap legs
star jump over legs, land on other side (control arm)
finish guard pass
lock up tight side control
they are sitting
first thing- immobilize one side so they don't stand up
control arm (wrist) on one side, shoulder on one side
release wrist, palm goes on ground between his legs (fingers rowards you)
star jump over (doesn't have to be crazy, just enough to get behind them), get to back
prepare jump with base- adjust legs- step back (mule kick), swing to get momentum to jump
generally, when you jump, they try and scoot away
this helps you pass guard actually
final thoughts
his style developed from watching children
they don't use power, they use finesse
instead of running, he just jumps
easier than it looks? after a lot of practice.
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thoughts- useful guard passes, but they seem difficult to pull off.
the most useful stuff? butterfly passing postures/control
jumping over to the other side to negate their defending one side
sensitivity and timing to execute the passes
Saturday, October 13, 2007
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